Showing posts with label hip hop. Show all posts
Showing posts with label hip hop. Show all posts

Thursday, 9 October 2008

The Stone Cold Boogie Down B-Boy Sampler

The following is based on a true story, or more precisely, Wikipedia. That's almost as good as fact, isn't it?

Lawrence Krishna Parker (born 20 August 1965) used to hang out with Hare Krishnas in South Bronx. He adopted his graffiti tag ‘KRS-One’ as his stage name, later devising the backronym ‘Knowledge Reigns Supreme Over Nearly Everyone’. Known aliases include ‘Kris Parker’, ‘The Blastmaster’, ‘The Teacha’ and ‘The Philosopher’.

He began recording with Scott La Rock (nĂ© Sterling), a social worker. They formed ‘Scott La Rock and the Celebrity Three’. It stiffed when the other two quit. They rebranded as ‘Boogie Down Productions’ because ‘Boogie Down’ is a nickname for the Bronx. They fused dancehall reggae and hip hop to show that having Jamaican roots is OK.

KRS dissed Mr Magic and Marley Marl as well as their known associates, sparking The Bridge Wars. KRS also disliked an MC Shan song, which he reckoned said that hip hop came from Queensbridge (a fact that Shan repeatedly denied). All the same, KRS dissed it with a bunch of songs, eventually giving Shan a right good licking on stage. Many said that KRS was the dopest MC.

Criminal Minded (1987) set the stage for what would eventually become gangsta rap. Scott La Rock was then shot dead after trying to sort out some beef between D-Nice and some local hoodlums, so KRS made some politically and socially conscious hip hop.

BDP’s membership changed continuously, the only constant being KRS. Collaborators included, inter alia, Keith Murray, Ms Melodie (his wife for a bit) and McBoo. In the Sex and Violence (1992) liner notes, KRS writes: ‘BDP in 1992 is KRS, Willie D and Kenny Parker! BDP is not D-Nice, Jamal-ski, Harmony, Ms Melodie and Scottie Morris. They are not down with BDP so stop frontin’. Ms Melodie was no longer his wife.

The group essentially ended because, after four largely solo ‘BDP’ albums, KRS recorded Return of the Boom Bap (1993) under his own name.

In 1997, KRS came on Tim Westwood’s show. He cussed him and Radio 1 more generally, accusing them having a boner for commercial artists (eg Puff Daddy). Although not having been in the UK since 1991 (he does not fly), he claimed ‘to be in touch with the people’, and said that ‘they weren’t feeling Westwood, he’s a sell out and has sold his soul’.

My philosophy
Poetry
Edutainment
Breath control II
100 guns
Remix P is for free
I’m still no. 1
T’cha t’cha

Gimme dat (woy)
Illegal business

The style you haven’t done yet
Bo! Bo! Bo!
The racist

Mortal thought
Sound of da police

KRS-One attacks
MCs act like they don’t know
Step into a world



Sunday, 27 April 2008

These Are The Breaks


Remember when hip hop was party music? Remember when those deliciously funky undercurrents and fat James Brown hooks got you onto the floor? Remember throwing your wigger-boy set in the air, and shouting YEEEEEEAH BOYEEEE! in the ear of any chump fooly enough to ask you what time it was?

Sure you do. It was last night. The neighbours were banging on the walls and that really big police dog was eyeing your leg like it was gonna hump it or eat it, or both.

In case you’re still drawing a blank, perhaps this set-list will pump hot memory juice through that war-torn cerebral cortex. Where Digital Lukie took care of basslines, this one’s all about the beats. Well, maybe the basslines too, as there is some overlap, but you know, when needs must, and all that.

Think of this as music to drive by by. Get in the hoochie ride, drop the rag-top, and find some ass in which to bust a cap.



Digital Underground Return of the crazy one
Dynamic Syncopation 2 tha left
T Love QMS
Original Flavor Can I get open
Diamond D Fuck what you heard
Masterminds Bring it back
DJ Fase + Abdominal Fly antics
De La Soul All good
Pharcyde Officer
Krown Rulers Paper chase
3rd Bass Word to the third
Eric B + Rakim Don’t sweat the technique
RZA La Rhumba
Beatnuts No escaping this
Lords of the Underground Chief rocka
KRS One Mortal thought
Q-Tip Vivrant thing
NWA Express yourself
Public Enemy Rightstarter




Digital Lukie (vol. 1)

DIGITAL LUKIE’S RECORDING TIPS

A continuous record of your canary in full song is easy to get, and has many uses. It is always a handy record to play when entertaining visitors, and is a welcome “gimmick” for social gatherings, church bazaars and the like. If you run a shop or a pub, you will find such records useful for attracting customers, or you might hire out your recording for special occasions.


Madvillain - America’s most blunted
Boostin Kev - Duntdaduntdunt
Dan the Automator - Buck buck
Notorious BIG - Machine gun funk
Peanut Butter Wolf & Planet Asia - In your area
J Dilla, Common & D’Angelo - So far to go
Pete Nice & Daddy Rich - Verbal massage
De La Soul - Supa emcees
Scarface - Goin’ down
DJ Crook Air - Egyptian dy-na-mi-tee
Method Man & Ghostface - Afterparty
Mase - Welcome back
Nice & Smooth - Hip hop junkies
Diamond D - Fuck what u heard
Cypress Hill - Tres Equis
Lemmy Special - Kwela blues
Not the theme from Animal Magic
Cypress Hill - Scooby doo
Ol’ dirty bastard - Shimmy shimmy
Lords of the Underground - Chief rocka
Jungle Brothers - The promo